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Laura Mvula: Diamonds
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I've posted a handful of songs from Laura Mvula, but "Diamonds" has surfaced as another...well, gem, from her new release. A quiet song, dappled in details, and best served with headphones...alone, undistracted.
I've posted a handful of songs from Laura Mvula, but "Diamonds" has surfaced as another...well, gem, from her new release. A quiet song, dappled in details, and best served with headphones...alone, undistracted.
Take four minutes to enjoy Ennio Morricone's "Malena".
As soon as I returned from this wonderful weekend of cycling at Lake Hope, I immediately dumped the bags and arranged everything I'd taken into the word: STUFF. Laid it out on the concrete parking pad next to our old horse barn. My neighbors were watching, and pretending not to. Lord knows what they were thinking. Anyway, I grabbed a ladder, captured the photo, and then moved categories and subcategories of items to where they belonged: the washing machine, the patio (for a pre-cleaning with the hose), and the bike 'lab' (my basement). Electronics were plugged in for charging. Empty bags were stowed.
I made the arrangement (and captured it) as a small ritualistic way of acknowledging that I have plenty of Stuff. Weird, I know—never said I was a normal housecat, did I? Inside this house, there's plenty more that I don't need, so I give thanks for it, and pare down and purge from time to time, reminding myself that More is definitely not better. Most of the Stuff gets used multiple times in a given year. But what about those items that haven't moved from their Ziploc and Tupperware homes as the seasons rotate?
Here's my 'rule', for what it's worth: If I haven't used Stuff in a year, it goes away. The rule works, and I never miss the Stuff that goes away.
Never.
Are you storing Stuff that hasn't moved for years? Why?
I love the simple way my designer friend Seth Shaw puts it "Less Stuff = More Freedom."
You won't like Nelsonville Music Festival—that is, if you ain't a music-lovin' 'Merican. If you hate bands like Wilco, or legends like John Prine, this fine little festival isn't for you.
But if those names whittle your stick, there's more. Newer acts like Chris Porterfield's band, Field Report, a somber vessel that allows Porterfield to launch lyrics that have stopped me in my tracks.
And then, the lesser-known gems (at least to me). Those acts that you stumble upon, playing the smaller stages, but pushing a big sound into the sweet early summer that breaks across your heart like a winter swell at Pipeline.
Tonight, I've been doing some pre-Nelsonville 'research' and stumbled upon William Tyler's bio. And did some listening, too.
MC Taylor says Tyler "...gallops as though in steeplechase and then creeps like purple dusk on the Cumberland. He steps lightly, he burns effigy, he comes on with the debt of an angel..."
The above tune should sound lovely live, and soon. Maybe under starlight, with a coyote chorus to answer that steel guitar's lonesome wail.
Maybe you'll be there, too.
The morning of the race, I had breakfast with a fellow WTM participant who had quit his teaching job after 9/11 to become a Blackhawk pilot. Behind us, a group of cheerful Australians who I swore were hungover. And a guy with a prosthetic leg.
I met my goal for the event, running 20 miles and completing 64 obstacles in the course of a day. Finished without major injury, and had a blast throughout the race. Definitely one for the books, as I've never competed in an event like this one before. And may never do again. Tempting, but WTM felt like a fine bookend to five years of non-stop training and racing.
The best story of WTM 2012 isn't mine. It's the folks who did many laps, running all night and into the next morning. That's hardcore. See for yourself:
The headaches are gone and the testing—CTA, spinal tap, bloodwork and 3 MRIs—shows nothing. Very grateful for the headaches and thankful that God got my attention.
Today is training day 1, with a much different perspective.
It's almost time for our CSCA Pinewood Derby. From inspiration for the art to the logistics of beer, printing, food and more, this year's Derby is another testimony to collaboration.
We'll be in our best space yet: CD 102.5's Big Room on Front Street. Air conditioned, expansive, with free parking. And Elevator Brewery will be debuting a new beer not yet available to the public. Two kegs of it, actually. Come help us drink it.
The party starts at 6pm, June 21st. More info at CSCA. $5 to get in, and proceeds benefit our own CSCA Student Scholarship fund.
See you there!
{Above: Original sketch and final poster front for this year's event. As usual, everything's drawn by hand including the display type. Copy by the always awesome Gregor Gilliom).
I've had an Instagram account for a while. Over a year, I think. Never used it. Seemed...cute, but definitely unnecessary since I'm a Flickr Pro user of several years. After all, wasn't it just for amatuers who take bad photos and call 'em artsy with the tap of a retro filter?
Then Facebook bought Instagram. I was curious and decided to give it a fair shake.
A few days later, I wondered why I avoided it for so long. Liked the interface (well, overall). Uploaded photos. Followed folks. Got followed. Slapped those candyland dreamboat nostalgialiscious filters on every image. And I better understood the universal appeal of Instagram and all those crazy filters: it allows everyone to be part of a creative process. Sure, 847 shots of your cat with the Lomo-fi filter isn't going to be picked up by Taschen for an oversized coffee table book. But if that person enjoys the process, then let 'em.
However, as much as I liked Instagram, it felt like one more digital timesuck. Another bucket that I would fill, sporadically, with no clear direction as to why.
So I rebooted, deciding to simply capture things I'm thankful for, with final images in black and white only (unless it's someone else's art).
I might even take a picture of my cat.
Instagram name: thankful_for [EDIT, 01APRIL2013: new account name is dylanmenges]
Sometimes, Things Fall Apart.
Love that video. Beautiful work. Strap on your headphones.
For all my planning, the Mohican 100 race fell apart.
A series of rotten headaches over the past week caused me to seek medical advice, which meant a doctor saying, No race for you this weekend. Instead, they raced me to a CT scan, with 'contrast', which means an IV of funky fluid. Which felt kind of awesome. Bloodwork, too.
Still waiting on results.
If you haven't yet, make the time to ride Mohican's 24-mile loop. The first 15 provide the workout. The last 9 provide the reward.
Doing it on a fatbike definitely adds rotational weight, but for a seasoned rider in good shape, completing this loop on the big rubber is just another ride.
That said, I don't know what the additional 75 miles look like for Saturday's 100-mile race. Pretty sure it's gonna cook my legs by the time I roll back into Loudonville...
To borrow my buddy Bill's saying, "If it was easy they'd call it shopping."
Horse Feathers performing, "Where I'll Be." Taken at Nelsonville Music Festival, May 20th 2012.
A fine specimen from Five for Fighting. Been in the rotation for several years, and I never get tired of it. John Ondrasik's voice at the 2:23 mark is worth the wait...
North Shore, Oahu, Hawaii: 1991?
I'm surfing that crazy little pocket at Turtle Bay with my buddy Ron John. Some very pale dudes were bobbing nearby, hanging for the sets, so I asked where they were from.
"We're roadies for a band called Soundgarden."
John and I caught a few more sets, and headed up to the cliff for beers. Pearl Jam was sitting next to us. We met Eddie.
It was a good day.
I didn't become an overnight groupie. Took me many years to cultivate a deeper appreciation for the band. Now I consider them one of the best bands in rock & roll. And 20 years later, I finally caught 'em live and it proved to be an unforgettable show.
This song, "Hard to Imagine", remains one of my favorites.
It's a long way to Turtle Bay. Aloha, anyway...
A friend of mine sent that message tonight on the eve of my birthday.
It struck me as a wonderful thing to say. Why? As soon as I heard it, I thought of the fact that we're not promised tomorrow. Instead of wishing farther ahead, this was about the tangible. Not, "Have a great 43rd year." Now. These next few hours.
I had planned to ride, and as I headed out, the message stayed in my head. The anxiety I had about this ride—in prep for a 100+ miler happening in a few days—left me. The message stayed: "Enjoy the last few hours..."
I did that.
(photo taken along Walnut Pike Rd during the ride)
This fine photo is from Shorpy. Think of it as the Getty of historical images. Some amazing stuff there if you need images for a project, inspiration, or historical reference.
Just uploaded a section of sketches to this site. Most of 'em are ported from Flickr with the help of an app called Bulkr, but I won't update the Flickr set anymore. So if you want to track the weirdness, check the new sketches page.
My ever-patient friend Jeremy Slagle and I made a deal. It involved participating in this year's Pinchflat. And if I didn't participate, Jeremy was allowed to inflict pain.
That's the nice version.
So I'm in, I hope, assuming Nick at The Half And Half will put up with me and perform a small timing miracle. See you May 5th at Wild Goose Creative or later that evening at Paradise Garage.
If you got my Mrazathon mix last week, this track was missing. From the new CD, it builds up nicely in spots, like the way Mraz sings, "I'm hopin' you can feel me in your chest..."
Always a sucker for the pretty stuff.
One of my favorite songs. The beat speaks Summer, but the panning chords in the background say Fall and Winter.
All of it combines for a hypnotic, mostly instrumental audio gem, right up to the obscured lyrics that Sam Prekop sings near the halfway point.
And if you're still reading this, I've got a nice prize for anyone who can provide accurate lyrics.
Beautiful.